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Yeah, awesome! I love bandcamp.

You can buy our stuff on bandcamp if you want:

https://justinholmes.bandcamp.com/

In my mental model, participating in bandcamp (and getting your supporter badge) is a sort of "merch". You aren't really buying the music - the music is something you hear as the result of a FLAC file being decoded, and that FLAC file can be endlessly and freely copied.

Even better than the bandcamp model, in my thinking, is for you to get the music via pirate channels like bit torrent or IPFS, listen to it, and if you want to, you can buy album-related merch on the ethereum blockchain. That's the long-term vision.

As far as affording concerts: on sufficiently long time scales, I'm wanting to make our shows free-to-enter, buy-a-ticket-stub-if-you-want. Sadly, a lot of great rooms around the country are locked behind contracts with Ticketmaster/AEG and are prohibited from hosting such a show.

> If you release all your work under permissive licenses, how do you expect to be supported?

I believe that a huge majority of our fans are like you: they _want_ to support us, and the spotify model doesn't really give them a channel for that. Permissive licenses don't prevent people from supporting us on bandcamp and similar models.



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