>The assertion was that Apple does not have any computers for professionals that need a powerful machine, but not as powerful as a Mac Pro.
No, my assertion is that Apple does not offer a competitively priced mid-to-high end machine suitable for professional use.
The iMac will be acceptable for some users, but not for others, because it's one-size-fits-all. In most pro audio applications, the fan noise under load is simply intolerable - you can't trick it out with Noctua fans, you can't hide the hot bits behind an acoustic partition, you're just stuck with a couple of noisy blower fans in the middle of your working environment. Lots of other pro users have similar niche needs.
The lack of maintainability is a serious issue for pro users. If something goes wrong in your iMac, you can't just order a replacement part and get back in business by tomorrow morning. A repair that would take ten minutes on a commodity box is often a lengthy process requiring specialist tools on an iMac. That's tolerable if you can afford to have a spare machine on standby, it's tolerable if you can afford to just run down to the Apple store and buy a new one, but it's a dealbreaker if (like most creative professionals) you're struggling to keep the lights on. By contrast, the last mixing console I bought was supplied with a full set of schematics; it can be completely torn down with nothing more than a PH2 screwdriver and all the PCBs and internal connectors are clearly labelled.
Apple are presenting their users with the choice between an extremely expensive and blatantly over-engineered "pro" machine, or an all-in-one that wasn't really designed for professional use in any meaningful way. There's a gaping hole in the middle of their product lineup that ignores a very large proportion of actual creative professionals.
No, my assertion is that Apple does not offer a competitively priced mid-to-high end machine suitable for professional use.
The iMac will be acceptable for some users, but not for others, because it's one-size-fits-all. In most pro audio applications, the fan noise under load is simply intolerable - you can't trick it out with Noctua fans, you can't hide the hot bits behind an acoustic partition, you're just stuck with a couple of noisy blower fans in the middle of your working environment. Lots of other pro users have similar niche needs.
The lack of maintainability is a serious issue for pro users. If something goes wrong in your iMac, you can't just order a replacement part and get back in business by tomorrow morning. A repair that would take ten minutes on a commodity box is often a lengthy process requiring specialist tools on an iMac. That's tolerable if you can afford to have a spare machine on standby, it's tolerable if you can afford to just run down to the Apple store and buy a new one, but it's a dealbreaker if (like most creative professionals) you're struggling to keep the lights on. By contrast, the last mixing console I bought was supplied with a full set of schematics; it can be completely torn down with nothing more than a PH2 screwdriver and all the PCBs and internal connectors are clearly labelled.
Apple are presenting their users with the choice between an extremely expensive and blatantly over-engineered "pro" machine, or an all-in-one that wasn't really designed for professional use in any meaningful way. There's a gaping hole in the middle of their product lineup that ignores a very large proportion of actual creative professionals.