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Warning: I was in two different project experimenting with similar forms of db access at the same time. don't do that.

same

find the reflections in the rushing river

yeah, I don't think the jenga tower is changing but the levels of abstraction will.


"fundamental tenet"? There's not an engineering pope speaking ex cathedra.


I mean it's new enough to essentially still be a neologism, so you're right - we can give any arbitrary definition to it if we like. I'm just describing my own observations.


the abstractions around this stuff are still a jenga stack with round pieces... I think it will tighten up over the next year or so for real world use cases. Right now it's great if one is a "build your own tools" kinda person.


I thought they were making fun of my new jersey accent.


compilers can only produce machine code. so unorginal.


> Which poor people exactly do you consider privileged, and why?

those with insulation from genocide and displacement despite poverty.

their point is that, say, a german peasant in 17th century couldn't avoid the Thirty Years War.


German peasants in the 17th century seemed to manage just fine without 24/7 news coverage.

Almost all news that's actually important - that might actually affect your life - will find you one way or another. Most news isn't important (eg sports drama). Or it isn't urgent (eg tariff news). Or both, like celebrity gossip.

Only a vanishingly small percentage of news is both urgent and important. And there's plenty of people in my life who would tell me if - for example - we needed to evacuate the city due to a fire.

Really. You can switch off. It'll be ok. Try it, and you'll see.


He referred to the Thirty Years War where instead of doomscrolling the peasant especially living in southwestern Germany would get his war news by getting killed or starved and his home burned down.


tbf, OpenCode's development cycle seems pretty fast. If someone announced AGI in the morning, I'd bet they have it integrated by EOD.

I also use OpenCode extensively, but bounce around to test out the other ones.


I just started playing with OpenCode over the weekend after working with aider and aider-ce, and I like a lot of things about it, though I miss some aider features. What other code helpers have you worked with?


The big players (Gemini, Claude Code, Codex) and then aider and opencode for open source.

I keep my setup modular/composable so I can swap pieces and keep it usable by anyone (agent, human, time traveler) depending on what the task needs. In the aughts I standardized on "keep worklogs and notes on tools and refine them into runbooks" so that has translated pretty well to agentic skills/tools. (a man page is a perfectly cromulent skill, btw.)


That is how scholarship works. It’s like a math proof: they’re interested in proving the base case. If someone else wants to do more speculative work to theorize what a well-painted version would look like, that would be super cool, but it wouldn’t be scholarship.


And that's a fine standard to maintain when you're writing an academic paper.

When you are instead putting together a museum exhibition intended for the general public, and you observe over and over again that they will interpret your work as representing what the statues actually looked like, it is irresponsible to keep giving them that impression.

It's not an either/or question. They could do some of the statues with just the pure archaeological approach of only using the paints they found in the crevices, and do others in a layered approach that is more speculative but probably closer to how they actually looked. If they did that, this article would not be necessary.


Imagine if we refused to publish any material or exhibit recreations of dinosaurs because the only evidence we have are fossilized skeletons and a few skin texture impressions.


You've highlighted a very cogent comparison!

Dinosaurs in the first Jurassic Park were fairly well represented considering what we knew in the late 80s. But our knowledge of dinosaurs has grown, with feathers being the most emblematic change. Yet the Jurassic Park movies steadfastly refuse to put feathers on their 3D monsters in the current movies, because viewers do not expect feathers on the T-Rex.

We might be at that point with repainted statues. Museum visitors are now starting to expect the ugly garish colours.


I've not seen the latest Jurassic Park movie, but I've seen a clip with velociraptor's with feathers, and maybe quetzlcoatalus too? Along with colourful skin on eg compsagnathus.

They seem to have moved on a bit, they're balancing audience expectations with latest research, I expect.


This guy had feathers and they made him the right size https://jurassicpark.fandom.com/wiki/Oviraptor


They didn't revisit any of the previously featured dinosaurs. The T-Rex in the latest film looks like the best science can ascertain ... in 1990.


My knowledge of dinosaurs is a few decades old really - any good sources for a summary of T-rex developments in particular or dinosaurs more generally?

I could imagine there's some great videos out there? I'd be keen to have scientific basis given rather than speculative artwork.


“The reason I’m totally misleading you with a speculative example is because of scholarship.”

No way. When they engage the public, they are not longer exclusively scholars. They responsible for conveying the best truth they can to non-experts.

A journal paper can be misunderstood when the reader lacks the context to interpret it. Out in the public square, that is not the reader’s fault anymore.


Give the scholars full editorial control of the newspaper the public is getting their news from, and you might get better public understanding of their scholarship.

You generally can't hold someone responsible for what someone else says about them.


"Dance your PhD" exists for several reasons, but one of them is to point out that the divorce between scholarship and art in some academic fields isn't "required" but an accident of how we separated colleges and how hard it can be to do multi-disciplinary work.

You can do both: prove the base case and reach across the aisle to the art college next door to see if someone is interested in the follow up "creative exercise". You can present both "here's what we can prove" and "here's an extrapolation by a skilled artist of what additional layering/contouring might have done".


I would agree with you, but archeologists often classify finds as "for ritual purposes" without any proof or evidence that it was used in a ritual, without specifying what ritual is involved, or how the find would be used in the ritual.

Likewise archeologists will classify finds as tools when they don't have nearly enough knowledge about the craft in question to be able to do this properly (see the extensive mis-classification of weaving swords/beaters as weapons [0], but there are many other cases).

So I'm a little reluctant to cut them some slack and say "this is how scholarship" works when they get all petulant about including colours that we know the ancients had, in ways we know they used them, for this kind of reconstruction.

[0] https://www.academia.edu/67863215/Weapon_or_Weaving_Swords_a...


I paid for my internet and used it all day long.


The money paid was to access the internet not run it, that's a world of difference.


In the 1990s, there were plenty of closets running websites, BBSs and other internet available resources. As a percentage of total internet users, it was higher than those doing so today. So, money was paid to run portions of the internet at home by ISP subscribers.


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